Records
Every record in the index, 16 in total, each scored on six axes of fear against a published rubric and cross-referenced against everything else we hold.
Or come at it from the other direction: four ranked lists sort these 16 by one axis at a time — the bleakest, the most patient, the most purely supernatural and the most surreal.

Threnody for the Victims of Hiroshima
Krzysztof Penderecki · 1960 · Record
Fifty-two strings used as an instrument of panic. Kubrick knew.

Profondo Rosso
Goblin · 1975 · Record
Prog rock as a murder weapon. The template for everything after.

Suspiria (OST)
Goblin · 1977 · Record
Prog-rock incantation. Bells, whispers, and that four-note curse.

Halloween (OST)
John Carpenter · 1978 · Record
Piano in 5/4 and almost nothing else. Thirty seconds and you are tense.

The Fog (OST)
John Carpenter · 1980 · Record
Fewer notes than Halloween and twice the sea mist.

Heresy
Lustmord · 1990 · Record
Recorded in caves and crypts. The founding dark-ambient text.

Selected Ambient Works Volume II
Aphex Twin · 1994 · Record
Not horror by intent. Track four has frightened people for thirty years.
Time Machines
Coil · 1998 · Record
Four long drones engineered to dismantle your sense of time.

Black One
Sunn O))) · 2005 · Record
Drone metal recorded to feel like being buried alive. Best at volume.

Deathconsciousness
Have a Nice Life · 2008 · Record
Distorted, hopeless, weirdly beautiful. Horror with no monster in it.

Under the Skin (OST)
Mica Levi · 2013 · Record
Strings tuned to feel wrong. Alien in the literal sense.

Dangerous Days
Perturbator · 2014 · Record
Synthwave with teeth. Neon, blood, and a great many arpeggios.

It Follows (OST)
Disasterpeace · 2014 · Record
Synth that lurches. Carpenter filtered through chiptune.

Abyss
Chelsea Wolfe · 2015 · Record
Doom-folk written around sleep paralysis. Sits heavy in the chest.

Everywhere at the End of Time
The Caretaker · 2016 · Record
Six hours of dementia rendered as decaying ballroom loops.

Hereditary (OST)
Colin Stetson · 2018 · Record
Saxophone multiphonics as a nervous system giving out.