VHSCREAM BUILD YOUR TAPE

Index

Films

Every film in the index, 61 in total, each scored on six axes of fear against a published rubric and cross-referenced against everything else we hold.

Looking for somewhere to start rather than the whole shelf? The best horror movies, grouped by what frightens you groups 31 of them by what you actually want from one, with the measured score behind every choice.

Or come at it from the other direction: eleven ranked lists sort these 61 by one axis at a time — the bleakest, the least explicit, the goriest and the most patient.

Psycho — cover art

Psycho

Alfred Hitchcock · 1960 · Film

The most famous murder in cinema and the knife never once touches skin.

Rosemary's Baby — cover art

Rosemary's Baby

Roman Polanski · 1968 · Film

Nobody believes her, and everybody is in on it. Paranoia as pregnancy.

Night of the Living Dead — cover art

Night of the Living Dead

George A. Romero · 1968 · Film

The dead are the least of it. The living argue the house down.

The Exorcist — cover art

The Exorcist

William Friedkin · 1973 · Film

Faith tested to destruction in a child's bedroom. Still nasty.

The Wicker Man — cover art

The Wicker Man

Robin Hardy · 1973 · Film

Sunlit, folky, and cheerful right up until it isn't.

Don't Look Now — cover art

Don't Look Now

Nicolas Roeg · 1973 · Film

Grief edited like a premonition. The ending is a knife.

The Texas Chain Saw Massacre — cover art

The Texas Chain Saw Massacre

Tobe Hooper · 1974 · Film

16mm heat and grime. Feels found rather than filmed, which is the trick.

Jaws — cover art

Jaws

Steven Spielberg · 1975 · Film

Attacks you on a clock and shows you almost nothing, because the shark did not work.

Carrie — cover art

Carrie

Brian De Palma · 1976 · Film

Cruelty at school compounding until physics gives up.

The Omen — cover art

The Omen

Richard Donner · 1976 · Film

Stately, humourless, and it kills people in ways you remember for thirty years.

Suspiria — cover art

Suspiria

Dario Argento · 1977 · Film

Colour used as violence. A ballet school run by witches, scored by Goblin.

Halloween — cover art

Halloween

John Carpenter · 1978 · Film

The blueprint. Widescreen suburbia, a white mask, and enormous patience.

Dawn of the Dead — cover art

Dawn of the Dead

George A. Romero · 1978 · Film

Consumer satire with the entrails left in.

Alien — cover art

Alien

Ridley Scott · 1979 · Film

Working people in a haunted house that happens to be a spaceship.

The Shining — cover art

The Shining

Stanley Kubrick · 1980 · Film

A hotel doing slow arithmetic on a family. The dread is architectural.

Possession — cover art

Possession

Andrzej Zulawski · 1981 · Film

A divorce film that becomes something unspeakable in a Berlin stairwell.

The Thing — cover art

The Thing

John Carpenter · 1982 · Film

Practical-effects body horror and total paranoia. Nobody is who they say they are.

Poltergeist — cover art

Poltergeist

Tobe Hooper · 1982 · Film

A warm suburban comedy for forty minutes, then the house starts eating people.

Videodrome — cover art

Videodrome

David Cronenberg · 1983 · Film

Long live the new flesh. Analog horror's founding document.

Re-Animator — cover art

Re-Animator

Stuart Gordon · 1985 · Film

Splatter comedy, gleeful and disgusting. Herbert West simply does not stop.

The Fly — cover art

The Fly

David Cronenberg · 1986 · Film

A love story documented as a decline. Practical effects as grief.

Hellraiser — cover art

Hellraiser

Clive Barker · 1987 · Film

Desire and agony filed under the same heading.

Jacob's Ladder — cover art

Jacob's Ladder

Adrian Lyne · 1990 · Film

Grief refusing to resolve. Every corridor is the same corridor.

Candyman — cover art

Candyman

Bernard Rose · 1992 · Film

Legend as infrastructure. The city built the monster on purpose.

Scream — cover art

Scream

Wes Craven · 1996 · Film

The slasher explains itself while committing itself. Still the sharpest of them.

Ringu — cover art

Ringu

Hideo Nakata · 1998 · Film

A curse that spreads like media, because it is media.

The Blair Witch Project — cover art

The Blair Witch Project

D. Myrick & E. Sánchez · 1999 · Film

Three people get lost and the woods do the rest. Almost nothing is shown.

Audition — cover art

Audition

Takashi Miike · 1999 · Film

A romance for ninety minutes. Then a very long ten.

Final Destination — cover art

Final Destination

James Wong · 2000 · Film

Death as a Rube Goldberg machine. Cheerfully, elaborately explicit.

Session 9 — cover art

Session 9

Brad Anderson · 2001 · Film

An asbestos crew in an empty asylum. The building wins on patience.

28 Days Later — cover art

28 Days Later

Danny Boyle · 2002 · Film

Shot on video, running flat out. The soldiers are the third act.

The Ring — cover art

The Ring

Gore Verbinski · 2002 · Film

The American one, and better than it is given credit for.

Saw — cover art

Saw

James Wan · 2004 · Film

A bathroom, two men and a hacksaw. The franchise it spawned shows everything.

The Descent — cover art

The Descent

Neil Marshall · 2005 · Film

Claustrophobia first, creatures second. The cave was already enough.

Paranormal Activity — cover art

Paranormal Activity

Oren Peli · 2007 · Film

A fixed camera and a bedroom door. Shows less than almost anything in the index.

Martyrs — cover art

Martyrs

Pascal Laugier · 2008 · Film

New French Extremity at its most punishing. There is no relief anywhere in it.

Lake Mungo — cover art

Lake Mungo

Joel Anderson · 2008 · Film

A mock-documentary about grief that hides its worst image in plain sight.

Let the Right One In — cover art

Let the Right One In

Tomas Alfredson · 2008 · Film

A vampire film about being twelve and alone in the snow.

Insidious — cover art

Insidious

James Wan · 2010 · Film

Barely a drop of blood in it. The Further is where the restraint goes strange.

Kill List — cover art

Kill List

Ben Wheatley · 2011 · Film

A hitman film that walks into the wrong field and never walks out.

Sinister — cover art

Sinister

Scott Derrickson · 2012 · Film

The found super-8 reels are the whole film. Bleaker than its box office suggests.

The Conjuring — cover art

The Conjuring

James Wan · 2013 · Film

A jump-scare machine built with real craft. Shows you almost nothing and still lands.

Oculus — cover art

Oculus

Mike Flanagan · 2013 · Film

Two timelines braided until neither is trustworthy. Cleverer than its poster.

Evil Dead — cover art

Evil Dead

Fede Alvarez · 2013 · Film

A remake that answered the original's slapstick with sincerity and blood.

The Babadook — cover art

The Babadook

Jennifer Kent · 2014 · Film

Grief with a pop-up book. The monster is not subtle and doesn't need to be.

It Follows — cover art

It Follows

David Robert Mitchell · 2014 · Film

A rule you can't argue with, walking toward you at a constant speed.

Annabelle — cover art

Annabelle

John R. Leonetti · 2014 · Film

A doll that does not move, in a film that keeps insisting it might.

The Witch — cover art

The Witch

Robert Eggers · 2015 · Film

Period-accurate misery and a goat. The family destroys itself first.

A Dark Song — cover art

A Dark Song

Liam Gavin · 2016 · Film

Ritual magic as tedious, exhausting labour. That is what makes it work.

Lights Out — cover art

Lights Out

David F. Sandberg · 2016 · Film

One idea, executed relentlessly. On and off, on and off.

Get Out — cover art

Get Out

Jordan Peele · 2017 · Film

The most frightening thing in it is a polite conversation.

It — cover art

It

Andy Muschietti · 2017 · Film

The highest-grossing horror film ever made, and it does not hold back.

Hereditary — cover art

Hereditary

Ari Aster · 2018 · Film

Grief that curdles into something much older. Slow, then unsurvivable.

A Quiet Place — cover art

A Quiet Place

John Krasinski · 2018 · Film

Silence as the rule and the threat. A creature feature that behaves like a thriller.

The Nun — cover art

The Nun

Corin Hardy · 2018 · Film

Atmosphere and corridors, punctuated on a schedule. Franchise horror doing its job.

Midsommar — cover art

Midsommar

Ari Aster · 2019 · Film

Broad daylight, no shadows, nowhere to look away.

The Lighthouse — cover art

The Lighthouse

Robert Eggers · 2019 · Film

Two men, one rock, and a slow collapse of the difference between them.

Skinamarink — cover art

Skinamarink

Kyle Edward Ball · 2022 · Film

Ninety minutes of a dark house and a child’s logic. Divisive entirely on purpose.

Talk to Me — cover art

Talk to Me

Danny & Michael Philippou · 2022 · Film

Possession as a party trick, then as a consequence.

Smile — cover art

Smile

Parker Finn · 2022 · Film

A curse that spreads by witness. Meaner than the marketing let on.

Terrifier 2 — cover art

Terrifier 2

Damien Leone · 2022 · Film

The most explicit thing in the index. People walked out and told everyone.